A Simple Color Palette

I went down the rabbit hole so you don't have to

Let’s say you happen to need a color code something and want RGB values corresponding to all the common color names. Let’s further say that you’re an obsessive maniac and would like to avoid losing your sanity studying color theory just for the sake of this one silly task. How do you do it? Easy, leverage the work I already did for you. Here’s the chart, followed by caveats and methodology:

First the caveats: The level of saturation of these colors varies a lot mostly because sRGB sucks and your monitor can only display faded versions of some of them. (For colorblind accessibility it might be a good idea to use slightly lower saturation.) A luminance high enough to make yellow have decent saturation washes out other things so this was set to a consistent level which is a reasonable compromise. (This isn’t the fault of sRGB, it’s a limitation of human eyes.) Purple hues at angles 300 and 320 are both things which my eyes accept as the single ideal of Purple and don’t realize are two different things until I see them next to each other. The value given is midway between. Reasonable descriptions of them are ‘Royal Purple’ and ‘Common Purple’. They have an analogous relationship to the one between Blue and Cyan.

The methodology behind this first has to answer the question ‘What is a color?’ For the purposes of this exercise we’ll just pretend that hues are colors. The next question is why particular positions in the hue continuum count as colors. Hues are a twisting road. In particular places the road bends, making a gradient crossing over it look not like a straight line. The places where those bends happen we call colors. Which bends get a name is dependent on where you set the threshold and cultural factors. The exact point where the bend happens is also hard to define exactly. I located them by the highly scientific process of picking them out with my own two eyes.

There’s a standard statement of what the common color words are in English to which I’m adding Cyan and Pink. Cyan is a proper name for what’s usually called ‘Light Blue’, a name which makes no sense because both Cyan and Blue can appear at any amount of luminance. It may be that Cyan is denied a proper common name because our displays can barely show it. The biggest limitation of sRGB by far is that it can only display Cyan with poor saturation. Pink I put in both because it’s a primary color (as is Cyan) and because it’s a very common color word in English, mostly denied its proper place out of an absurd bit of misogyny and homophobia. It’s especially funny that in printing Pink is euphemized as ‘Magenta’ even though the shade which is used is a light one and the common usage of ‘Magenta’ is to refer to a darker shade.

One important thing to note is that the primary colors, which have sRGB values set to 00 and FF, are NOT on ideal color hues. Those colors correspond to the most saturated things your display can show, which is important, but the positioning of RGB was selected first and foremost for them to be 120 degrees from each other to maximize how much color display could be done with only three phosphores. They happen to be very close to the true ideals but not exactly.

To pick out exact shades I used an OKHSL color picker with saturation 100% and light and dark luminance at 65% and 43%. There are still a few artifacts of OKHSL, in particular its hues bend a tiny bit in the darker shades. To compensate I picked out color angles which are good at both high and low luminance, mostly resulting in Cyan being shifted over because in darker shades Teal is elbowing it out of the way. One thing OKHSL does NOT do is maintain the property that two colors which are opposite each other in space are true opposites, which is annoying because oppositeness is one of the most objective things you can say about colors. (That could probably be improved by having brightness correction be done by cubing a single value instead of three values separately but I personally am not going to put together such a proposal.)

Annoyingly the human perceptual system doesn’t see fit to put color angles with canonical names opposite each other, instead placing them roughly evenly but with seemingly random noise added. This of course creates problems for color wheels, which want both to show what colors are opposites and what the color names are.